A Wonder of 3-D Films
Posted on 19:46
To fly together with blue-skinned aborigines across some alien planet and to tumble helter-skelter downwards into the Rabbit's cave together with Alice. Isn't it wonderful? Phenomenal audience support for the films "Avatar" and "Alice in Wonderland" at box offices has exceeded the most daring of expectations. The new 3-D films are a visual trump card which has "taken out" everything that came before, and 2010 will go down in history as a crucial turning-point in the development of film. This is exactly the reason why it's worth exploring 'what's inside this teddy bear' of the future, and it must be started by looking back into the past.
When, at the end of 19th century, viewers first saw motion pictures on the screen, quite possibly they were overtaken by an overabundance of feelings analogous to those experienced when literally entering the new and surprising world of aliens in the film Avatar mentioned above. It is a feeling of surprise provoked by the wonder of motion pictures. After watching the film, on exiting the cinema, the world which for two and a half hours had been crammed with adventures painted in psychedelic tones and a dominance of blue, now appears to be quite grey. It is possible that similar feelings overtook the viewer who had seen the half minute long film Arrival of the Train, which literally depicted the title, or had been entertained by the comedy where one of the actors treads onto the watering hose a gardener is using to water the lawn, but after a moment steps off again so that the gardener receives splash of water in the face.
The analogy of the new world of 3-D films with the earliest works of cinematography is not incidental. What joins viewers is not merely a feeling of wonder; but also the fact that the story or screenplay are concepts of secondary significance. The primary concept is the picture as a phenomenon. It was sufficient in the early days, just like it is now. It is especially true in the context of the abundance of feeling which is one of the chief criteria for choosing how to spend leisure time, the amount of which has risen rapidly throughout centuries because of consecutive and also simultaneous revolutions - industrial, religious and sexual.
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